In fact the sound design plays an important part within the story itself and is frequently used for scene transitions sometimes in a very obvious way and other times in a more subtle way that might be missed on a first viewing. There are plenty of bass moments that punctuate the narrative whilst the use of surround effects is just as impressive.Ī scene where the disembodied voice of 'The Bride' moves around the entire 360 degree soundstage is highly effective and the sound designers also take advantage of the overhead speakers to immerse you in the period drama. Whilst the musical score is equally as well rendered, filling out the front soundstage and often moving to the sides and above as well. The all-important dialogue remains anchored to the front three channels and is both clear and well balanced. Sherlock has always had a very active and decidedly amped up sound design and this new mix takes it to the next level. Steve Withers reviewed the audio using a 7.2.4-channel Dolby Atmos setup - Sherlock: The Abominable Bride was mixed in Dolby Atmos for a countrywide cinema screening, that was held simultaneously with the BBC1 broadcast, and the sound designers have taken full advantage of their new toy box. Beyond the impressive video presentation, Sherlock gets an Atmos upgrade this time out.
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